Eud Eires
The fundamental rules of contemporary music tend to put in background the presence of
the inspiration within the compositive process and give more importance to the ability to know how to
create a form within which be able to develop the thematic elements. Anyone who analyzed this composition
would surely find a strong thematic coherence associated with one articulated and completed formal
structure. Naturally, to an external eye, like could be the eye of someone who has not participated
in the creative act of the play, this could not be different. The only one who has the faculty to
clarify which was the spark that allowed to create this play is the composer himself.
I think that through such a contemporary concept of the genesis and the birth of the work of art,
the process of absolute materialization, that concerns the destiny to wich seems to be directed the
whole humanity nowadays, is completed. The faculty to bring forth feelings that are born in the deep
lap of the universe is being tried to remove to the artists ,by virtue of a presumed ability to be
able to obtain such feelings from an a priori established logical procedure, in which the rule dominates
unconditionally. In this way, the artist is tie to particular doctrines that dictates to himself.
Nevertheless, the autonomy and self-determination process is not carried out through one act in which
the individual becomes slave of what he has decided, but conforming, spontaneously and freely, the own
will and the own person to one universal law.
There is not doubt that one of the laws that governs the universe is that according to which to each
cause corresponds an effect. And the artist who searches with the mind and the spirit has the effect
of being inspired, as a natural effect of its investigation. Everything is born from an intuition;
this is the embryo that will generate the work of art, and all the information that will make to grow
the work of art is included in it. The rest is not more than watching around and describe the world
that this embryo has generated. In the DNA is included all the information that gives origin to the
individual, according to determined structures. Nevertheless, the DNA does not agrees with the individual
itself. In the same way, the intuition contains everything what will become explicit in the complete
work of art but this one is not a kind of enlarged photocopy of the original idea.
Therefore, some cells are added little by little to an initial thematic cell from wich all they depend
directly, and everything is developed according to one structure that completes, from time in time,
the functions of the organism that is taking form. The artist leaks through its own being the musical
material and shapes the content and the form according to its own sensibility. But every note must
recognize the direct consequence in the succession of the notes that precede it, and thus every new
feeling will be originated by effect or by opposition of the feelings that have just passed. For that
reason, the form is not prefered instead the content or vice versa, but rather both of them have to be
born simultaneously from an intuition, and a proper synergy has to let them grow at the same time.
Only who has not lived in first person this kind of experience can demonstrate itself skeptical about
such affirmations, but the invitation is that of searching without prejudices, in this direction,
for cultivate those fruits of which the existence had been denied before.
Download an image of the panting
Download the first page of the score (pdf format)
